Based on interactions with maps and migration routes, the work proposes an essay between what is left behind (memory) and beings on the move (human and non-human migrants).
The mural is composed of a polyptych drawing on the wall made with photocopies of photographs taken by the artist, post-edited and partially burned, and a set of ceramic beings that walk on an irregular surface of ‘chamote’ (i. e. ground refractory material) placed on the floor.